A short film made for french TV, En Profil dans le Text, by Eric Rohmer. Dealing with the salons of Diderot.

A short film made for french TV, En Profil dans le Text, by Eric Rohmer. Dealing with the salons of Diderot.

"Until Rameau's Nephew... no one has exhibited a film that deals so thoroughly with the range of perceptual problems elicited by the sound cinema." (M. Keller, Chicago Film Centre) 　　"...an achievement of the originality and brilliance of Wavelength. Snow embraces the problems on intimacy of language and thought with such variety, clarity and invention and high humour that again he seems to have made a film out of which an entire future movement could be mined." (P. Adams Sitney, Soho Weekly News) 　　I started scripting this film in February 1972 and writing, shooting, mixing, editing and continued till September '74. Some ideas used in it date from 1966 when I recognized in myself the ambition to make an authentic Talking Picture i.e. true to its description, it moves for its content from the facts of the simultaneities of recorded speech and image; it is built from the true units of a 'talking picture' the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities, the experience of seeing/hearing this film.'Speech', 'Language', 'Culture' - their source, their nature...recorded, imaged, prove (?) that in this case a word is worth 1000 pictures. (Michael Snow) 　　Scripted and Directed by Michael Snow. Shot primarily in Toronto and New York by himself, Keith Lock, Babette Mangolte, David York and others.

"Until Rameau's Nephew... no one has exhibited a film that deals so thoroughly with the range of perceptual problems elicited by the sound cinema." (M. Keller, Chicago Film Centre) 　　"...an achievement of the originality and brilliance of Wavelength. Snow embraces the problems on intimacy of language and thought with such variety, clarity and invention and high humour that again he seems to have made a film out of which an entire future movement could be mined." (P. Adams Sitney, Soho Weekly News) 　　I started scripting this film in February 1972 and writing, shooting, mixing, editing and continued till September '74. Some ideas used in it date from 1966 when I recognized in myself the ambition to make an authentic Talking Picture i.e. true to its description, it moves for its content from the facts of the simultaneities of recorded speech and image; it is built from the true units of a 'talking picture' the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities, the experience of seeing/hearing this film.'Speech', 'Language', 'Culture' - their source, their nature...recorded, imaged, prove (?) that in this case a word is worth 1000 pictures. (Michael Snow) 　　Scripted and Directed by Michael Snow. Shot primarily in Toronto and New York by himself, Keith Lock, Babette Mangolte, David York and others.

皇室家族的皇太子李强勋，与平凡、充满个性的动物医院兽医师车允序间，像拔河般推拉的爱情故事。

皇室家族的皇太子李强勋，与平凡、充满个性的动物医院兽医师车允序间，像拔河般推拉的爱情故事。

上小学六年级的高上是一个懦弱自备的大胖子。一次放学路上高上被欺负时被父亲高建军撞见，高建军为了让儿子不再软弱，逼他去拳馆学拳击激发勇气。高上在拳馆竟然意外遇见了班上同学杨乐乐。杨乐乐拳打得好，是一个有着破碎家庭勇敢早熟的小女孩儿，两人逐渐结下了友谊。高上的拳击终于有了长足的进步，人也瘦了下来，陪他度过童年的人却一一离他远去。一个清晨高上目睹了一只麻雀的死去，他才突然意识到，爷爷再也不会回来了，杨乐乐，罗维汉都不会回来了。

上小学六年级的高上是一个懦弱自备的大胖子。一次放学路上高上被欺负时被父亲高建军撞见，高建军为了让儿子不再软弱，逼他去拳馆学拳击激发勇气。高上在拳馆竟然意外遇见了班上同学杨乐乐。杨乐乐拳打得好，是一个有着破碎家庭勇敢早熟的小女孩儿，两人逐渐结下了友谊。高上的拳击终于有了长足的进步，人也瘦了下来，陪他度过童年的人却一一离他远去。一个清晨高上目睹了一只麻雀的死去，他才突然意识到，爷爷再也不会回来了，杨乐乐，罗维汉都不会回来了。

Rating? 3/10 for the story, 10/10 for the music.

Rating? 3/10 for the story, 10/10 for the music.